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This cheeky approach is part of the joy of the Bassoon Brothers experience. The Brothers often like to recycle classical themes to accompany a popular tune, and they give a Mozartian slant to Bewitchedlike he might have written it for an opera overture to the Magic Contrabassoon. Grieg provided the ghoulish Hall of the Mountain King (which they jazz up a little). Most of Halloween’s favorite symphony tunes feature the bassoon, so they have started every concert since then with Gounod’s Funeral March of a Marionette (which was popularized by Alfred Hitchcock Presents as a theme song).
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When the Bassoon Brothers “creeped” into existence on Halloween 1985 they didn’t have to go far to find some classical themes to play. It ‘s been downhill ever since, but the Brothers are fighting back. Some detractors have called these “stickists” belching bedposts, while the contrabassoon has been called “an ill wind that nobody blows good.” No composers have given the bassoon the “crown” of the orchestra treatment since Vivaldi wrote 37 solo concertos 300 years ago. Even though the bassoons have always been major players in cartoon and movie soundtracks, synthesizers are often replacing their versatile voices.Ĭonsidered by many to be the “Rodney Dangerfield” of musical instruments, the bassoon has been given ” little respect.” Most people don ‘t even know what it is–calling it the “big oboe.” The bassoon’s name in German actually means a “bundle of sticks”– a fagott. It is safe to say that these low-down family members are fairly secure as long as symphony orchestras are still around. (This refrain is heard in David Carroll’s Wedding Guest.) But of this double reed consort, all thats left of the family that included the sopranoon, altoon and tcnoroon (the latter is making a minor comeback) are the bassoon and the big daddy contrabassoon. In Coleridge’s Rime of the Ancient Mariner it is written “hear the wedding guest beat his breast for he heard the loud bassoon”, showing that our predecessors have been doing weddings, bar mitzvahs, and other similar functions for many years. This recording is a realization that the Brothers is not your average woodwind group.Ī band of like instruments is something that has been popular since way back when. They have been able to keep their mission alive, because Northwest audiences have discovered them and always want to hear more. Since 1985 three men (and their sole sister) who call themselves the Bassoon Brothers have shown that a small band of these instruments is capable of doing a variety of musical styles from the Renaissance to modern jazz not just cute ditties or the “clown of the orchestra” bit (an approach that they do exploit on occasion). There have been only a handful of players who have taken the bassoon beyond its usual role. oons” from extinction by exposing you to a body of new sounds and music for the instrument including the world premiere recording of Professor Peter Schickele’s Blue Set for Four Bassoons. Wanted for low-down playing and bass behavior, the Bassoon Brothers are on a mission to save the ”. The following liner notes are copyright 1999 Crystal Records Inc.įor more information or purchase of this recording visit Crystal Records Inc.įor additional information and expanded liner notes, see below. Hummel publication of this work, listed as a "Frühdruck", seems not to be date-able more closely than "between 18" (plate 1299), so may have been the first issue instead of being a near second.Wanted – Liner Note Information – Crystal CD873 Not published until perhaps 1805 (possibly earlier - a J.
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Autograph "unbekannt", according to NMA.Grove Music lists the title as "Duo", but a comparison with the duos for Violin and Viola, which appears in single parts and not as score, makes clear, that this may not be a duo, but just a sonata for bassoon with continuo (compare NMA report (German)).This pleasant sonata can also be played on two bassoons or two cellos or cello and double bass.Thaddäus von Dürnitz ( Thaddäus Wolfgang von Dürniz) ファゴットとチェロのためのソナタ Sonate in B-Dur Sonate B-Dur KV 292 KV 196c Sonata for Bassoon and Cello in B-flat major Sonata in B-flat major K 292 K 196cġ805? – Leipzig: Breitkopf und Härtel (score, plate 322)
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